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My
most recent work is a 9’ x 6’ quilt made up of photographic images
and text transferred to fabric.
I came across a book entitled, Perfect Womanhood for
Maidens-Wives-Mothers: A
Book Giving Full Information on All the Mysterious and Complex Matters
Pertaining to Women, written in 1908 by Dr. Mary R. Melendy.
As I read, I found
that the good doctor was quite forward-thinking for her time. She reinforced some feminine roles of that era, but she also
advised throwing away corsets, ridiculed the starving of oneself, and
advocated education for women. Melendy
firmly said, “We may anticipate, with all certainty, improvement in
woman’s status.”
I
began excerpting quotes from Melendy’s book and juxtaposing them with
images of women. Some were
antique photographs of women taken in the late 1800’s-early 1900’s.
I wondered – who were these women, what were their lives like?
The other images were ripped from the pages of current magazines
– Cosmo, Allure, Rolling Stone.
The “perfect,” emaciated women from the ads and articles –
who are they, what are their lives like?
What has changed for women, what has not?
The quilt questions, with gentle humor, past and present
definitions of “ideal femalehood.” |
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The idea for the
related panos series came from art created by prisoners in
Southwestern jails. On
handkerchiefs (panos), they draw images of the Virgin of
Guadalupe, low-rider cars, cartoon characters, and often, voluptuous
pin-up girls. My
handkerchiefs, with text from the Perfect Womanhood book and
images of women past and present, are tongue-in-cheek responses to those
pin-ups. In my work, I
continue to explore representation of and expectations about women in
our society. |

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